![gay sex art base gay sex art base](https://i.pinimg.com/originals/a7/21/15/a721151ee0818ce033633d2ebbcbaf02.jpg)
For many he also brought gay art and safe sex onto the streets and into the galleries Its location at 555 Hamilton Street is Vancouver’s most enduring single gallery space as the prior site of the Bau-Xi Gallery from 1964 to 1972 and the Contemporary Art Gallery from 1973 to 2001 in August 2008, the Or Gallery took over the site.16 September 16 Ending HIV Legends – Keith Haring Keith Haring’s body of work wasn’t all just dancing figures and ‘radiant babies’. Between 20, the Belkin Satellite operated as an auxiliary space in downtown Vancouver that presented a mix of exhibitions by local artists, new projects by mid-career artists, experimental projects by UBC curatorial studies students, and served as an additional venue for the Belkin’s permanent collection. Gallen, on permanent loan from a private collection. Image (above): Felix Gonzales-Torres, Untitled (Go-Go Dancing Platform), 1991. The exhibition is supported by the Morris and Helen Belkin Art Gallery, the Alvin Balkind Fund for Student Curatorial Initiatives and the Department of Visual Art, Art History and Theory at the University of British Columbia. This exhibition is curated by Jean-François Renaud, candidate to the Masters Degree in Critical and Curatorial Studies at the University of British Columbia. Beyond Redemption: Gay Erotic Art is also timely in addressing gay desire in light of current debates on homosexual marriage. Many issues will arise from the exhibition: the fluid boundaries between art and pornography the politics involved in gay sex as well as desire how sex informs community the impact of AIDS on representation the nature of “artistic merit ” the ubiquity of censorship the importance of freedom of expression the rich theoretical scholarship now available dealing with gay identity and culture. B eyond Redemption: Gay Erotic Art affirms this truism.īeyond Redemption: Gay Erotic Art addresses issues of homosexual desire set against an investigation of the formation of community - the means by which sex is in itself political, how sex, following Leo Bersani’s ideas, generates a politics, are key questions. Images have the power to engage us sensuously - they all possess an erotic the senses are the doors leading to our engagement with images at the most basic level. Beyond Redemption: Gay Erotic Art attempts to bring down the veil to reveal the sensuous base involved not only in homoerotic images but also in all artistic representations. Titian’s Venus of Urbino (1538) was created to arouse its patron, Phillipe II of Spain the painting’s pornographic nature is too often eclipsed by Art History. Also, traditional art-historical scholarship has tended to ignore or to cloud the erotic content of myriad works involving sexuality. The exhibition counters the fact that when confronted by artworks with sexual content we often seek to transcend their erotic appeal style and formal concerns are invoked to “redeem” the images’ representation of sex. Well-known artists Stephen Andrews, AA Bronson, Brice Canyon, Evergon, Felix Gonzalez-Torres, Attila Richard Lukacs and Donald Moffett present work in a variety of media - drawing, collage, photography, sculpture, computer-based works as well as animation - all with explicit homoerotic content. It addresses theoretical and political concerns relevant to gay erotic art today. “…the value of sexuality itself is to demean the seriousness of efforts to redeem it.”īeyond Redemption: Gay Erotic Art presents unabashedly, unashamedly gay erotic art.